For Joan

[theodorelasso]

Continued from here.

(warnings: sexytimes. also, panic attacks, brutal violence, attempted murder, discussion of suicide and actual murder... )

Comments

[formersurgeon]

So very much like Ted to worry about those he loves more than about himself, and she loves him dearly for it.

"He might be a little freaked out," she says. "It would probably be a good idea to warn Michelle that your face is bruised, so that she can tell Henry what to expect. But you're still you, regardless of what your face looks like. Henry will know that. He knows you. He loves you."

[theodorelasso]

Ted nods a little, and he knows she's right. What's more important is that Ted is conscious and happy to see him, and he can reassure Henry that everything's alright. He looks at Joan in the mirror and gives her a small grateful smile.

He's really glad she doesn't sugarcoat things, or try to ignore problems. Michelle had a tendency to do that, wanting to match his optimism, and eventually growing frustrated and guilty when she couldn't. Joan is more of a realist, still reassuring and kind, partly because she does see the problems and thinks about how to address them.

"Alright, I'm ready to head back," he says, and lets Joan and Rosa help him back into the wheelchair.

[formersurgeon]

She answers that smile with a small reassuring one of her own. Joan is a realist, something that has served her well as a detective, a sober companion, and a surgeon. Ignoring problems only makes them worse in the long run. And her realism is one way in which Joan and Ted make each other better. She's able to see and face problems, while he's able to recognize the good things in situations and in people. They're quite a pair.

Joan and Rosa help him back into the wheelchair, and Joan wheels him back to the bed, pulling the IV stand along with them. Once they're there Joan and Rosa take his arms again to help him out of the wheelchair and back into bed.

[theodorelasso]

Ted thanks Rosa for her help once he's all settled. He's not that tired anymore, so he asks Joan to fetch him some snacks from a vending machine, so he can eat something light, and he turns on the television.

And then they just sit there for the rest of the night, cuddled up in bed and watching Antiques Roadshow. Sure, it might be a hospital bed, but as far as nights go, it could be a lot worse.

When it's morning and people are starting to bustle around, Beard comes by before work, with some clothes for Ted so he can feel at least slightly more presentable before Michelle and Henry arrives. And so he can make sure to cover up his knees and his arms properly as well. There's not much that can be done about the face.

Keeley also comes to visit, and Rebecca's clearly warned her about Ted's state, because she doesn't show any shock at all at seeing him, just bringing her encouraging and lovely self to cheer him up. She brought balloons and flowers and a homemade card and everything, and Ted deeply appreciates it.

[formersurgeon]

It's a nice way to spend the rest of the night, cuddling and watching gentle TV while snacking on hospital vending machine fare. It's surprisingly normal for them, like they could be on the couch in Ted's apartment and be doing the same thing. And that's good...it will help Ted recover to have things be as normal as possible, so that the memory of what happened to him has a chance to fade.

In the morning Joan helps Ted into the clothes Beard brought for him. When Keeley comes Joan asks her if she can stay with Ted for a little while so Joan can go home and freshen up. Keeley gives an enthusiastic yes, absolutely insisting that Joan take as much time as she needs.

She gives Ted a kiss and tells him she'll be back in a little bit, then leaves the hospital. It feels weird to step out into the sun and into London, where life is going on as if nothing happened. She flags down a cab and takes it to 221B. She wants to convey Ted's thanks to Sherlock, but the detective isn't home. Maybe he's still at the station questioning Turner Chapman.

She takes a shower and changes her clothes, and feels a hundred times better, as if the trauma of the day before had washed away with the hot water. She got another cab, heading back to the hospital, already missing Ted and eager to get back to him.

[theodorelasso]

Beard texts him updates about Michelle and Henry's flight, so Ted knows when it's safe to call them. He does let her know that his face is bruised, and finds out how much Beard had told her. He's just said that Ted was attacked by someone, and Ted agrees that it might be best to leave it at that for now, until he can have a proper conversation about it later.

Ted's still really worried about Henry seeing him, but once that kid walks in the door, the relief and happiness at seeing him is so worth it.

Henry is definitely a little bit spooked at first, but as soon as hugs are had and Ted shows that he's still his enthusiastic loving self, it seems to fade. Henry gets to sit on the bed, as long as he's very careful about Ted's sides, and the kid is extraordinarily gentle and sweet and cautious.

Michelle is more worried, but she slowly relaxes once she sees that he's going to be fine. She makes a valiant effort not to cry in front of Henry, at seeing Ted so beat up, while she sits in the chair next to the bed.

They're happy to see Keeley too, who they met on their last visit, though she bows out right as Joan returns to the hospital.

[formersurgeon]

Joan sees Keeley heading out as she enters, and the woman tells her Michelle and Henry are with Ted. Joan thanks her, for keeping Ted company and for letting her know his family is there. As Joan heads toward Ted's room, she tries to think of the best way to introduce herself to Ted's ex and their child. It's awkward and certainly not the circumstances in which she'd want to meet them, but things were the way they were.

When she reaches the room she halts outside the open door. Ted is there with Michelle and Henry. They're all laughing. Ted looks so happy. He looks at Michelle, and Joan can see the love he has for her. He loves her. She knew that, but seeing it...

No wonder he's never told Joan he loves her.

Joan takes a step back. She shouldn't interrupt this time he has with his family. He loves them. He should be with them.

Her phone buzzes. She fishes it out of her pocket and sees a message from Sherlock.

T.C. WS A PAWN

It's like a punch in the gut, and she staggers back. She had convinced herself that Chapman had just been a crazy football fan, nothing more. But she was wrong. He was used as a weapon to hurt, hell, to kill Ted.

She looks up at him, at how beat up he is, and sees very clearly how he looked in that basement, chained and beaten and near death.

Because of her. All because of her. Because he was close to her and Joan and Sherlock had gotten too close to Moriarty and she sent someone after Ted to take someone Joan loves...

She turns and hurries down the hall, toward the exit, her head down, her eyes brimming with tears, holding it together until she could flag a cab, get in, and give the cabbie an address.

Then she breaks down and sobs there in the back of the cab.

[theodorelasso]

Getting to spend time with Henry feels like the best medicine. While he was down in that basement, it was a comforting thought that Henry was halfway across the world, out of reach of any harm. But now that he's safe, he feels so much better being able to be with his kid.

Still, in a way it's also exhausting. He needs to be strong for them, to protect them from what really happened. It's not like with Joan, where he can let himself be vulnerable, knowing that she'll be able to take it, that she's signed up to be there for it.

He keeps checking the time, wondering when Joan will be back so he can introduce them. He knows it's not the best time to tell them they're dating, but he wants them to at least meet Joan, to see what a lovely person she is, and to give them the opportunity to thank her. Not that he'd tell then everything he did, but he figures he could at least say that Joan is responsible for finding the man who hurt Ted, and making sure he doesn't hurt anyone else.

After a few hours, he suspects she might have gone to join Sherlock with the investigation into Turner, or maybe they got a case or something. Still, he'd expect a text from her in that case.

When Michelle takes Henry to go get some snacks and some coffee, he takes the chance to just send Joan a short text.

Hey. When do you think you'll be back? -Ted

[formersurgeon]

Joan is at 221B. She's cried out all of her tears, and now...now she feels empty. The exact opposite of numb, she is so deeply in pain that she can hardly register any other emotion. All she can think of is that Ted almost died because of her. She needs to stay away from him. And it's killing her.

She's sitting at her desk, her laptop in front of her, a travel website open and displaying a list of flights to New York.

When the phone buzzes, she sees a text from Ted, and it feels like she's been stabbed through the heart. He doesn't know. He doesn't know he's in the hospital because of her. He doesn't know that she needs to protect him. To let him be happy with his family. Alive with his family.

She thinks of not answering at all, but he deserves something. Even the barest thing she can say. She types the text.

I'm sorry.

She hits send. Then she turns off her phone. And selects a flight to New York that leaves tomorrow evening.

[theodorelasso]

Ted frowns at the text. At first he assumes she's saying she's sorry about being late, or maybe she felt overwhelmed by the idea of meeting her ex-wife and kid. But neither seems exactly right. Like she's elaborate a bit more?

About what? What's wrong?

He waits for a response, and still hasn't gotten anything by the time his family is back, so he puts it aside for now. Maybe Joan needs a little time.

Eventually he gets tired, and Michelle tells Henry that they need to let daddy get some rest, and they can visit him later. Ted offers them the use of his apartment, since it's just standing there empty anyway, but they end up going to a hotel near the hospital instead.

Ted checks his phone again, and there's still nothing, so he sends another text: Are you on a case? What's up?

That one gets him nothing either, so he tries calling, and it goes to voice mail. Is her phone off? (He tries not to get paranoid about something happening to her, and he's not wholly successful.)

So he texts Sherlock.

Hey. Is Joan with you? I can't reach her.

[formersurgeon]

Sherlock is hard at work trying to track down this person who set Turner Chapman on the path of kidnapping and attempting to murder Ted. When his phone buzzes he expects it to be Watson. When he sees it's Ted Lasso asking where Joan is it pulls him up short. He would have thought she was with him. But finding out that she's not, that he has no idea where she is, he has some idea of what might be going on. He was there when Joan was dealing with Andrew's death. It turned her life upside down, and it took her months to come back to herself again.

Has she told him?

He texts back, in legible vernacular instead of his usual text speak.

She is not. Does the name Andrew ring a bell?

[theodorelasso]

It definitely rings a bell. In fact, when Sherlock brings it up, it rings a pretty big alarm bell.

Her boyfriend who died because someone was targeting Joan. Ted feels incredibly stupid that it didn't occur to him this might trigger some feelings related to that. Even if Ted was just attacked by some random guy, and it had nothing to do with Joan, she's probably feeling pretty upset.

Part of him is also annoyed, because why couldn't she just say so, instead of worrying him like that? But he knows that thought is unfair, so he pushes it down.

It does. Thank you. When you see her, please make sure she's alright. I understand if she needs some space, but I'd also like to know she's okay.

After that he tries (and mostly fails) to put it from his mind. He worries about her, and misses her. He wants to be the one to comfort her, even as he understands that just seeing him might be triggering her memories, and that she's too focused on taking care of him to let herself be vulnerable. It's a painful position for the both of them.

Beard and Nate come by after work. Nate is a little bit of a wreck, and clearly has no idea how to act, while still trying desperately to be comforting. It's sweet, and a little bit funny. He doesn't stay too long though, but Beard sticks around.

They talk a little bit about the team, about strategy for the next match, just to get Ted's mind off of things, and let him feel like he's not totally useless, stuck in the hospital.

Beard can clearly tell Ted is worried though, and after a bit, Ted opens up about Joan. He stays vague about Andrew, not wanting to disclose all of Joan's personal stuff, but does let Beard know she's lost someone and might be blaming herself for it. Beard can easily tell it's taking a heavy toll on Ted that Joan's not talking to him about it at all.

So the next day, at lunch, Beard texts to ask if Joan has reached out to him yet. When he finds out she hasn't, he takes a cab up to 221B and rings on the doorbell.

[formersurgeon]

Joan has her bags packed. She hasn't even told Sherlock that she's leaving, wholly wrapped up in guilt and fear and pain. She tries not to think about Ted, but it's impossible. She can't not think of him, not miss him, not feel incredibly empty in the knowledge that she can't be with him. She tries to pass the time until she leaves for the airport, but winds up mostly staring at the wall.

When the doorbell rings she frowns, not expecting anyone. She's tempted to just not answer. She looks like a mess, and she doesn't really want to see anyone right now. But maybe it's someone for Sherlock.

She goes down and opens the door, and is surprised to see Beard there.

"Um...hey," she says.

[theodorelasso]

Beard nods in greeting. "Ted wants to see you," he says, getting to the point immediately.

Not that Ted has asked him to come here, but sometimes you gotta take matters into your own hands for the sake of your friends. And it's fairly obvious that Joan is going through something, and she'd probably be better off for seeing Ted too.

[formersurgeon]

She swallows and looks down for a moment before lifting her head. Beard can doubtless see the pain in her expression.

"It might be for the best if he doesn't," she says softly, grief in every syllable.

[theodorelasso]

"Then you should tell him to his face," Beard answers immediately. He'd clearly anticipated this possibility, and is having absolutely none of it. "He deserves that much, don't you think?"

The cab that took Beard here is still waiting at the side of the road.

[formersurgeon]

She sees the cab, and she wants to go with him, so badly.

"Beard, I..." She shakes her head, unable to talk. He doesn't understand.

"It's because of me," she says, barely above a whisper. "He was hurt because of me. If I go to him...I might not be able to leave again." There's a lot of pain in those words. "And he'll be in danger."

[theodorelasso]

Beard frowns. He doesn't know the details of the case, so he has no idea if that's true, or whether she's just projecting and making assumptions. It probably doesn't matter, because she believes it to be true, and it doesn't change what he has to say.

"Well then he deserves to make that choice himself," he says. His voice is softer, less confrontational, but still determined. "Just cause it's because of you doesn't make it your fault, and just because you're scared doesn't give you the right to be that selfish, not after what he just went through. If he just went through hell, and he decides you're still worth it, then you at least owe it to him to tell him why you're leaving anyway."

[formersurgeon]

She's looks at him for a long moment, turning that over in her head, trying to come up with reasonable arguments. But she can't. He's right.

"Okay," she says.

She steps out and closes the door, locking it behind her, and heads for the cab.

[theodorelasso]

Beard follows, opening the cab door for her, and getting in after her. He tells the driver to go to the hospital.

Once the cab sets off, he reaches over and gently puts a hand on her shoulder. Offering her to lean against him again, if she wants to. While he's here to make sure she does right by Ted, it's for her sake too, and he doesn't like to see her hurting.

[formersurgeon]

She takes his offer, leaning against him and closing her eyes. She's so tired, and so sad. She knows he's trying to do the right thing, and that he cares about her. She cares about him, too.

"I'm sorry," she whispers.

[theodorelasso]

Beard wraps his arm around her, holding her and rubbing her arm gently.

"What happened to Ted isn't your fault," he answers gently. It may not be what she's apologizing for, and he already said it, but he thinks she really needs to hear it, and probably more than once. "He wouldn't be alive if it weren't for you. And I know, I was there."

[formersurgeon]

It's hard for her to accept that. Joan has carried the grief and the guilt for a number of things over the course of her life, from the patient who died on her table to Liam being lost to drugs to Andrew's death. She's dedicated her life to saving people, and when she fails it sticks with her.

She's quiet for the rest of the ride, just resting against him. She can't even plan out what she's going to say. She's too tired and in pain.

[theodorelasso]

Beard sits in silence with her until they get there. He doesn't rush her once they're at the hospital, just walking next to her and letting her take it at her own speed.

When they make it to the hospital room, Ted is there alone, just reading a book to pass the time. When he sees Joan he sits up immediately. Beard waits outside, closing the door after them and making sure they get some privacy, for whatever is about to happen.

"Joan!" Ted exclaims, and there's a relieved smile on his face, which immediately becomes a worried sad look. He wants to go to her, but as it is he can only reach out for her.

[formersurgeon]

Seeing him makes her pulse quicken. For a moment she intends to hang back, stay by the door, because she knows if she goes to him she won't ever want to let go.

But she can't stay back. She loves him so much, and that worried sad look is killing her.

So she goes to him and into his arms, wrapping her arms around him and burying her face in his shoulder.