Ted looks up at her as he starts to explain - he didn't know Beard had been with her, but knowing that, his heart is warmed. Of course he was helping. He may not be a detective, but Beard's got his back.
It's strange, he knows it's still only Monday. He only lost a day and a half or so. He would've guessed longer. He felt so lost to the world, knowing a bit more about what went on while he was gone actually helps. Not just to know they were looking for him, but just... that the world was still going. It's somehow encouraging rather than demotivating.
He gives her hand a squeeze, and smiles (albeit somewhat weakly) up at her.
Then he looks down and clears his throat a bit, thinking how to continue. This is the part where it gets harder.
"I, uh... When I woke up, I was already in the basement. He'd handcuffed me to a pipe," he explains, gesturing at his bandaged wrist. "He.. dumped a bucket of ice water on me, to wake me..." He frowns, pausing, his shoulders tightening a little as a chill runs down his back at the memory.
Joan knows that Ted needs her to be strong here, a rock he can cling to so he doesn't get swept away in the memory of the violence that was done to him. So she stays calm, only frowning faintly in concern as he describes what happened. Then he trails off, and she can see him tightening up. She switches his hand to her free one and uses the other to gently rub his back.
"It's okay," she murmurs. "Take your time."
She glances at McCoy and Rudd, and sees them standing patiently. One reason they've worked so well with Joan in the past is that they never pressure victims.
Ted draws a steadying breath, thankful for Joan grounding him. He tries to shut out how it felt, tries just to remember the words, the actions, not how he was feeling himself. Which doesn't come naturally to him, being a very emotionally driven person, but ends up being easier than he expects, detaching himself from it.
"Um. He said he wanted-- I asked him what he wanted, and he said, 'I want a world without'.. Um. 'Without fucking Ted Lasso," he explains. Ted is exposed to swearing all the time, he doesn't necessarily mind it that much, but he still automatically wants to censor it, and has to remind himself not to.
"Then he kicked me. In the knee," he says, pointing to his right knee. "He was mocking me, then he kicked me again, other knee. Then he stomped on my ankle. I think that's when he broke it," he continues, voice flat and detached at this point. "I tried talking to him, but he just deflected. Then he found my found."
He intentionally doesn't say why he found the phone. "He started reading my texts, mocking me, then he smashed it. Stepped on it. He was really angry. Like... Aggressive, violent, about everything he was doing," he says, frowning like he's almost confused about it, or maybe even concerned about him. "He told me this story, about..."
He has to stop suddenly, swallowing. Takes another breath to steady himself. "About his friend's dog, who.."
He stops again, his face screwing up. Thinking back on it, it's worse now, with everything that happened later. He tries to take another breath, try to calm himself, squeezing Joan's hand, trying to lean on her, but it feels like something is trying to choke him.
"I'm sorry, can we take a break?" he asks, looking up at the cops.
It's horrible to listen to, and Joan knows listening to it can't be one millionth as horrible as experiencing it. And the physical violence is bad enough, but the emotional violence is worse. Joan knows Ted connects to people emotionally, that he sees even the fans in the pub that scream at him as human beings worthy of respect, even care. The first thing he wanted to know from them was the suspect's name for goodness sake. To have that man, to whom Ted would have given the shirt off his back, say things like wanting a world "without fucking Ted Lasso"...it hits her in the gut, and must have been a million times worse for him.
As he talks, Joan notices him tensing up. Then notices him having trouble breathing. When he asks for a break, Joan looks up at the cops. "I'll let you know when we're ready to continue," she says to them. They nod and head out.
Once they're gone Joan turns to Ted. "Hey," she says softly, squeezing his hand and rubbing his back. "You okay?"
He shakes his head a little bit at the question. No point in lying about it or pretending this is all fine. He does know he can be not okay in front of Joan.
His face is still screwed up, and he looks like he's on the verge of tears. He's holding her hand tightly, not saying anything, like he's scared of opening his mouth.
"Hey," she says gently, squeezing his hand and touching his face. "It's okay. Anything that happened, you don't have to keep it inside. You can let it out. Cry if you need to. If you need to fall apart, I'm here to hold the pieces. You are safe. Okay?"
He nods weakly, so grateful for her kindness and support and understanding. It's when she says he's safe that the first tear falls, but he doesn't let himself fall apart just yet.
Instead he lets go of her hand and carefully moves himself a bit to the side of the hospital bed, giving her space to sit down next to him. He just needs to hold her a while, and be held by her.
Joan had the same thought, wanting to hold him and let him hold her. When he moves over she carefully climbs into the hospital bed with him and wraps her arms around him. She kisses him tenderly, careful with his split lip, then just holds him close.
He shakes his head a little. "No, it's alright.." he answers, voice hoarse. He just leans against her, holding onto her arm, and closing his eyes. Taking a deep breath.
He's safe. He knows it, and he feels it while in her arms. He's out of that place, they've got the guy, Joan is here, and he's all patched up. He's going to get better, and he's going to be alright.
It's like the barricades on the doors have been lifted, or maybe more accurately the floodgates. All that fear and pain and loneliness and hurt that he's been trying to keep under control, trying to make sure he would either find a way out or survive until someone else found him, suddenly it's not important anymore.
It's just a small silent sob at first, a hitching of his shoulders. And then another one, followed by another deep breath. Soon enough he's fully crying, shaking in her arms. He doesn't wail, barely making a sound beyond the occasional whimper, and the irregular breathing and small gasps and sobs. He just sits there, clinging to her arm, letting it go on for as long as it will, until he runs out of tears.
It's a relief when he lets go and begins to cry, because she knows that he's hurting so badly, and keeping it all inside will cause him so much more pain that just letting go, allowing himself to truly feel. She holds onto him tightly, rocking a little, gently rubbing his back. "It's okay," she whispers, turning her head to press a kiss into his hair. "I've got you. You're safe."
Joan has her own pain, of course, but she can't show it now. Perhaps later, when Ted is feeling better. Or perhaps she'll cry at 221B, with Sherlock awkwardly standing guard and stiffly patting her back. Whatever she does later, she needs to be strong now.
Eventually he calms down, slowly, not because he isn't still upset, but because the exhaustion starts to win out. He's so tired. He hasn't really slept, and his body's been through a lot. He doesn't feel better, exactly, but he doesn't feel like there's something fighting to get out of him anymore.
He sniffs and wipes at his face, taking deep breaths, slowly but surely steadying himself, with her whispering little reassurances.
"I think I'm ready to go on," he says finally, looking over at her.
She rubs his back as he calms, whispering "that's it...just breathe...you're okay..." When he looks at her and says he's ready, she nods, and leans forward to press a gentle, chaste, protective kiss to his forehead. Then she lets him go and gets up, first finding a box of tissues and setting it down next to him to use or not as he pleases, then going out to the hall. McCoy and Rudd are there, waiting patiently.
"We're ready," she says.
They follow her back into the room, and she sits next to the bed, taking his hand again.
"Would you like to continue, Mr. Lasso?" McCoy says.
Ted blows his nose while she fetches the detectives. It's probably pretty obvious from his face why he wanted to stop, but he doesn't mind that. These guys seem like decent fellas, they obviously understand.
He nods at the question but doesn't go on immediately, instead taking a deep steadying breath.
"So, uh, as I was saying... He told me this story, about his friend's dog," he continues, his voice hoarse from all the crying, but calmer now.
He could skip this part, it's not a vital part of events, but to him it was the first real clear sign of how things were going to go, what the guy-- what Turner's mindset was like. And he thinks that's important to get across.
"And he - Turner - it was like he was telling a friendly story, except he was very obviously trying to make a point with it. Being real evocative, you know?" he explains. "So this dog, he tells me, bit his friend. So he took it outside, chained it up."
At this point he glances over at Joan, giving her a warning look. Letting her know this is about to take a turn for the worse.
"He said his friend kicked the dog around. And then left it there, chained up. No food, no water, and badly hurt. The dog died after three days." Ted clears his throat a bit. His voice is a little shaky, but not weak. It's still upsetting to him, and he doesn't try to hide that, but at least now he doesn't have the weight of everything hanging over him as much anymore.
"It was... pretty obvious that I was supposed to be the dog in the story."
Ted gives her that look, and she understands. She also appreciates it greatly, once again amazed at how he can be going through all sorts of hell, and his first instinct is to protect those around him. She gives him a small nod and squeezes his hand, reassuring him that she'll be fine.
And it's bad. It's really bad. Joan has encountered a lot of psychopaths in her time as a detective. She's tracked down hitmen, been in the same room as serial killers, stood toe to toe with criminal masterminds. But this...this disturbs her deeply. The casual cruelty to animals, the clear parallel being drawn between the dog's fate and Ted's, and the clear glimpse it gives into the mind of the man who kidnapped, tortured, and clearly intended to murder Ted. The man she loves.
"Yeah..." he answers, nodding in agreement, giving Joan's hand a squeeze. And as horrible as that experience was, as scary as it was, he can't help but feel bad for the guy. To be that broken.
"I, uh... At this point I started to realize I wasn't gonna talk my out way out of it. I'd been trying to reason with him, trying to.. trick him into calling Joan or something, trying to get him to relate to me, anything like that," he explains with a frown, rambling a little and letting himself do so. Not completely emotionless, but still trying to keep himself slightly detached, just enough to not get overwhelmed by reliving it.
"He said, uh, he wasn't going to kill me, because all he had to do was leave me there. And he... he didn't seem to have a problem with that, you know?"
It's still so baffling to him. He just can't wrap his mind around it.
"Then he left, and I tried to find a way to get loose, but I couldn't, so I just tried to dry myself and stay warm, you know? At least make it hard for the guy, so you guys could find me."
Joan squeezes his hand again, a little non-verbal sign that she's so glad they were able to find him.
"Scotland Yard was able to trace your phone to about a mile radius of your last location. Sherlock had gotten a list of owners of that particular white van. Only one of them lived in that mile radius. That's how we found you."
McCoy looks at his notes. "So...the suspect left you alone at that point?"
Ted's surprised about the information about the phone. He thought it would stop working once it was smashed, and he hadn't been gone by that long yet. But he's very glad to be wrong in that regard, that they could track it anyway.
At the question, he gives a humorless little laugh.
"For a while. I dunno how long, I couldn't really tell, maybe a few hours, I guess?" he answers. Mostly going off now knowing how long he was gone, and how many times he was visited.
"I think he came down... four more times? Or three. I was pretty out of it by the end. He'd basically do the same thing... Dump a bucket of ice water on me, mock me, kick me around..." he explains tiredly.
"My sides, mostly, but I guess mostly whatever part of me was easiest to hit. I don't remember most of what he said, it was just..." He shrugs a bit. "How I was a worthless loser, I let the team down, no one loved me, no one was gonna find me, saying I deserved it, that sort of crap."
He sounds more irritable the further on he gets into that, but also not really hurt by it. Almost like he's disappointed in the guy, and annoyed by that fact.
He sighs tiredly, rubbing at the bridge of his nose for a moment. "Look, I'm really tired, do you guys have enough?" he asks. It's obvious his patience is wearing thin with having to do this.
Joan can see his patience waning, and she squeezes his hand, a reminder that she's still there, that this is temporary. When he asks to call it quits Joan glances up at the men, her expression telling them that they need to wrap it up. McCoy catches that look and nods.
"Just one more question, Mr. Lasso. Did this man at any time mention another person might be involved?"
Joan glances at Ted. It's something she needs to know.
Ted frowns, thinking back carefully for several long moments, until he finally shakes his head.
"No, I don't think so," he says. "He mentioned his friend in the story, and he thought he was doing this on behalf of Richmond, but that's it. I never saw or heard anyone else."
Well that's a relief. Maybe it all was just a crazy football fan after all, and not the result of his relationship with Joan having put a target on his back.
"That's all we have," McCoy said, closing his notepad. "Thank you for your cooperation. If you think of anything more..." He nods at Joan. "Let Miss Watson know and she'll know how to contact us."
"Thank you both," Joan says sincerely, grateful for them having been gentle with Ted.
Ted nods in response to promising to contact them. Ted knows there's more he could go into detail, mention all the little things he remembers, what he was thinking, and so on... but it doesn't seem vital to the investigation, and he'd rather do so after he'd had some rest.
When Joan thanks then, Ted nods affirmatively in agreement. "Yeah, thanks guys, I appreciate you."
When they leave, he sighs heavily and sinks back against the pillows.
Joan sighs as well, also glad that's done. It wasn't nearly as hard for her as for him, of course, but it still hurt to see him hurt, to hear what had been done to him. She's also weary, the events of the day having taken their toll. She squeezes his hand and leans against the bed.
He nods gently, closing his eyes. "I will be..." he answers quietly, giving her hand a reciprocal squeeze.
He looks over at her. "Wanna lie down with me now?" he asks. He desperately wants to get some rest, but he'd rather feel her against him at least for a bit while he does so.
Ted carefully shuffles some pillows around, lying down as much as possible. He has very limited ways of sleeping, between the broken leg and the broken ribs, but he's so tired that he doesn't think it will matter.
He smiles softly at her once she's climbed in, and gives her a small kiss, putting a hand on her arm.
"I look like a real mess, don't I?" he asks, with a smile that might actually qualify as amused.
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It's strange, he knows it's still only Monday. He only lost a day and a half or so. He would've guessed longer. He felt so lost to the world, knowing a bit more about what went on while he was gone actually helps. Not just to know they were looking for him, but just... that the world was still going. It's somehow encouraging rather than demotivating.
He gives her hand a squeeze, and smiles (albeit somewhat weakly) up at her.
Then he looks down and clears his throat a bit, thinking how to continue. This is the part where it gets harder.
"I, uh... When I woke up, I was already in the basement. He'd handcuffed me to a pipe," he explains, gesturing at his bandaged wrist. "He.. dumped a bucket of ice water on me, to wake me..." He frowns, pausing, his shoulders tightening a little as a chill runs down his back at the memory.
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"It's okay," she murmurs. "Take your time."
She glances at McCoy and Rudd, and sees them standing patiently. One reason they've worked so well with Joan in the past is that they never pressure victims.
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"Um. He said he wanted-- I asked him what he wanted, and he said, 'I want a world without'.. Um. 'Without fucking Ted Lasso," he explains. Ted is exposed to swearing all the time, he doesn't necessarily mind it that much, but he still automatically wants to censor it, and has to remind himself not to.
"Then he kicked me. In the knee," he says, pointing to his right knee. "He was mocking me, then he kicked me again, other knee. Then he stomped on my ankle. I think that's when he broke it," he continues, voice flat and detached at this point. "I tried talking to him, but he just deflected. Then he found my found."
He intentionally doesn't say why he found the phone. "He started reading my texts, mocking me, then he smashed it. Stepped on it. He was really angry. Like... Aggressive, violent, about everything he was doing," he says, frowning like he's almost confused about it, or maybe even concerned about him. "He told me this story, about..."
He has to stop suddenly, swallowing. Takes another breath to steady himself. "About his friend's dog, who.."
He stops again, his face screwing up. Thinking back on it, it's worse now, with everything that happened later. He tries to take another breath, try to calm himself, squeezing Joan's hand, trying to lean on her, but it feels like something is trying to choke him.
"I'm sorry, can we take a break?" he asks, looking up at the cops.
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As he talks, Joan notices him tensing up. Then notices him having trouble breathing. When he asks for a break, Joan looks up at the cops. "I'll let you know when we're ready to continue," she says to them. They nod and head out.
Once they're gone Joan turns to Ted. "Hey," she says softly, squeezing his hand and rubbing his back. "You okay?"
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His face is still screwed up, and he looks like he's on the verge of tears. He's holding her hand tightly, not saying anything, like he's scared of opening his mouth.
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Instead he lets go of her hand and carefully moves himself a bit to the side of the hospital bed, giving her space to sit down next to him. He just needs to hold her a while, and be held by her.
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"Do you want to lie down?" she murmurs.
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He's safe. He knows it, and he feels it while in her arms. He's out of that place, they've got the guy, Joan is here, and he's all patched up. He's going to get better, and he's going to be alright.
It's like the barricades on the doors have been lifted, or maybe more accurately the floodgates. All that fear and pain and loneliness and hurt that he's been trying to keep under control, trying to make sure he would either find a way out or survive until someone else found him, suddenly it's not important anymore.
It's just a small silent sob at first, a hitching of his shoulders. And then another one, followed by another deep breath. Soon enough he's fully crying, shaking in her arms. He doesn't wail, barely making a sound beyond the occasional whimper, and the irregular breathing and small gasps and sobs. He just sits there, clinging to her arm, letting it go on for as long as it will, until he runs out of tears.
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Joan has her own pain, of course, but she can't show it now. Perhaps later, when Ted is feeling better. Or perhaps she'll cry at 221B, with Sherlock awkwardly standing guard and stiffly patting her back. Whatever she does later, she needs to be strong now.
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He sniffs and wipes at his face, taking deep breaths, slowly but surely steadying himself, with her whispering little reassurances.
"I think I'm ready to go on," he says finally, looking over at her.
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"We're ready," she says.
They follow her back into the room, and she sits next to the bed, taking his hand again.
"Would you like to continue, Mr. Lasso?" McCoy says.
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He nods at the question but doesn't go on immediately, instead taking a deep steadying breath.
"So, uh, as I was saying... He told me this story, about his friend's dog," he continues, his voice hoarse from all the crying, but calmer now.
He could skip this part, it's not a vital part of events, but to him it was the first real clear sign of how things were going to go, what the guy-- what Turner's mindset was like. And he thinks that's important to get across.
"And he - Turner - it was like he was telling a friendly story, except he was very obviously trying to make a point with it. Being real evocative, you know?" he explains. "So this dog, he tells me, bit his friend. So he took it outside, chained it up."
At this point he glances over at Joan, giving her a warning look. Letting her know this is about to take a turn for the worse.
"He said his friend kicked the dog around. And then left it there, chained up. No food, no water, and badly hurt. The dog died after three days." Ted clears his throat a bit. His voice is a little shaky, but not weak. It's still upsetting to him, and he doesn't try to hide that, but at least now he doesn't have the weight of everything hanging over him as much anymore.
"It was... pretty obvious that I was supposed to be the dog in the story."
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And it's bad. It's really bad. Joan has encountered a lot of psychopaths in her time as a detective. She's tracked down hitmen, been in the same room as serial killers, stood toe to toe with criminal masterminds. But this...this disturbs her deeply. The casual cruelty to animals, the clear parallel being drawn between the dog's fate and Ted's, and the clear glimpse it gives into the mind of the man who kidnapped, tortured, and clearly intended to murder Ted. The man she loves.
"Jesus," she swears under her breath.
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"I, uh... At this point I started to realize I wasn't gonna talk my out way out of it. I'd been trying to reason with him, trying to.. trick him into calling Joan or something, trying to get him to relate to me, anything like that," he explains with a frown, rambling a little and letting himself do so. Not completely emotionless, but still trying to keep himself slightly detached, just enough to not get overwhelmed by reliving it.
"He said, uh, he wasn't going to kill me, because all he had to do was leave me there. And he... he didn't seem to have a problem with that, you know?"
It's still so baffling to him. He just can't wrap his mind around it.
"Then he left, and I tried to find a way to get loose, but I couldn't, so I just tried to dry myself and stay warm, you know? At least make it hard for the guy, so you guys could find me."
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"Scotland Yard was able to trace your phone to about a mile radius of your last location. Sherlock had gotten a list of owners of that particular white van. Only one of them lived in that mile radius. That's how we found you."
McCoy looks at his notes. "So...the suspect left you alone at that point?"
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At the question, he gives a humorless little laugh.
"For a while. I dunno how long, I couldn't really tell, maybe a few hours, I guess?" he answers. Mostly going off now knowing how long he was gone, and how many times he was visited.
"I think he came down... four more times? Or three. I was pretty out of it by the end. He'd basically do the same thing... Dump a bucket of ice water on me, mock me, kick me around..." he explains tiredly.
"My sides, mostly, but I guess mostly whatever part of me was easiest to hit. I don't remember most of what he said, it was just..." He shrugs a bit. "How I was a worthless loser, I let the team down, no one loved me, no one was gonna find me, saying I deserved it, that sort of crap."
He sounds more irritable the further on he gets into that, but also not really hurt by it. Almost like he's disappointed in the guy, and annoyed by that fact.
He sighs tiredly, rubbing at the bridge of his nose for a moment. "Look, I'm really tired, do you guys have enough?" he asks. It's obvious his patience is wearing thin with having to do this.
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"Just one more question, Mr. Lasso. Did this man at any time mention another person might be involved?"
Joan glances at Ted. It's something she needs to know.
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"No, I don't think so," he says. "He mentioned his friend in the story, and he thought he was doing this on behalf of Richmond, but that's it. I never saw or heard anyone else."
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"That's all we have," McCoy said, closing his notepad. "Thank you for your cooperation. If you think of anything more..." He nods at Joan. "Let Miss Watson know and she'll know how to contact us."
"Thank you both," Joan says sincerely, grateful for them having been gentle with Ted.
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When Joan thanks then, Ted nods affirmatively in agreement. "Yeah, thanks guys, I appreciate you."
When they leave, he sighs heavily and sinks back against the pillows.
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"Are you okay?" she asks softly.
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He looks over at her. "Wanna lie down with me now?" he asks. He desperately wants to get some rest, but he'd rather feel her against him at least for a bit while he does so.
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She slips off her shoes and climbs into bed next to him. She curls an arm gently around him, gazing into his eyes.
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He smiles softly at her once she's climbed in, and gives her a small kiss, putting a hand on her arm.
"I look like a real mess, don't I?" he asks, with a smile that might actually qualify as amused.
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