Beard is actually smiling a bit as he watches them - it's good to see Ted be happy. He's watched Ted for years having problems with Michelle, culminating in the divorce, and it makes him sad because Ted deserves to be happy.
Ted smiles as Joan's touches of affection. He appreciates her making sure he knows she's there for him.
"Alright, gang, peace out," he says, heading for the door. "Stay out of trouble."
"No ragers," Joan answers playfully. She smiles at him all the way out of the apartment, and when the door closes behind him she sighs a little and turns her smile to Beard.
"He's doing okay," she says, figuring Beard would want to know.
Beard nods in approval. No small thanks to Joan, he's sure. Everyone's been very supportive of Ted, but he doesn't always show when he's hurting, so it's good to know he has someone close enough to him that it would be difficult to hide.
"What about you?" he asks. "If you want to complain Now they're not here to fuss over you."
He knows Ted's positivity can make if difficult to vent. And heck, she might even have frustrations about the two of them that she wants to get off her chest. Beard certainly won't tell.
She laughs a little and shakes her head. "Still can't complain," she says with a smile. "I've been so lucky to have Ted and Sherlock here. They've done pretty much the exact right amount of fussing. The two of them have also gotten pretty close, which is near miraculous with Sherlock."
"Good," he answers, pouring them both some coffee. And of course Ted has befriended Sherlock. He befriends everyone. It's just his way. "I'm sure caring for someone has helped him too. Lets him feel useful and avoid focusing on his own problems."
"Every once in a while," she says dryly with an answering wry smile, reaching for her cup and carefully wrapping her hands around it to hold it steady. "There's a lot he keeps hidden," she says, lifting the cup to her lips. "I know what happened to his father," she say softly, and takes a careful sip of coffee.
Beard raises his eyebrows. "Then you know more than me," he says. He doesn't ask, though. If she wants to tell him, he supposes that's her prerogative, but if Ted hasn't said, then Ted probably doesn't want Beard to know. Or, he simply doesn't want to talk about, which is definitely true in either case.
That surprises her. A lot. And it shows on her face. She knows Ted and Beard have been working together for a really long time, and for Ted to have never mentioned it to Beard...
"I don't think it's so much that he wants to keep it a secret as he doesn't want to deal with it at all," she says. "Ted didn't tell me. He doesn't know I know. And I'm keeping it that way, until he brings it up himself. I'll let you decide if you want to know. I researched it so that I know what's going on and can help if something happens to trigger the memories, but you don't have to know if you don't want to, or you feel uncomfortable knowing without him knowing you know."
Beard nods in response to her deciding not to tell him she knows. Makes sense, unless it becomes important.
He shrugs in response to whether he himself should know though. "I don't mind," he answers. He doesn't mind knowing, he just doesn't need to. He can keep secrets, that's not a problem for him.
"I know something bad happened." Which is an understatement, really. "Do you want to talk about it?" he asks. Because that's honestly more of a deciding factor here.
That's...actually a really good question. Knowing what happened (and in great detail, having read the police report) isn't easy. She's carrying that knowledge inside her, unable to talk to Ted about it. Sherlock knows, and that helps, but as close as he's gotten to Ted recently, he's still not close enough for this secret to weigh on him in quite the same way.
She thinks about confidentiality, how it's so important for a doctor, a sober companion, a detective. But this...this wasn't told to her in confidence. And it's public information.
Still, this isn't really about her, is it? This is about Ted. Her own wants...needs...don't really matter here.
Beard can tell she's conflicted between wanting to discuss it (she wouldn't have brought it up otherwise), and respecting Ted's privacy. He appreciates her for that, even if it might not be what's best for her.
"I think everyone who knows him sufficiently well does that," he answers lightly. Now more than ever, obviously. Ted is strong, but there's more than one way he doesn't stand up for himself and his own needs. "Do you think it's relevant to what's going on now?" Because obviously, this was three decades ago. It's not necessarily urgent.
"I do," she answers quietly. "He's around a lot of violent deaths right now. He tried to connect with the man who attacked him, and now he's dead and Ted will never get through to him. A lot of what's happening also makes him feel powerless. And, last but nor least, he's so far from Henry, and he's struggling with that."
She has a point, and it's heartbreaking to think of someone as good as Ted having to deal with all those things. And it's easy enough to see how they can relate to each other.
"So what do you think we should do?" he asks quietly. He doesn't necessarily think she has an answer to that, but neither does he. It's not easily fixed. They just have to be there for him.
"I agree," Beard answers. "But Ted's tougher than he looks, and than he thinks himself. He'll be alright."
That doesn't mean they shouldn't keep an eye on him of course, just that they can have faith in him. While trying to make sure he takes care of himself.
"Yes," she affirms softly. "Ted was in the house when it happened. He found the body."
That's the most horrible part of it to Joan. It's one thing to know on a conceptual level that your father was dead and had killed himself. To see it, god, smell it...Joan has been to countless scenes of death, so many murders, so many suicides, and even she never really gets used to it. To be sixteen years old and to find your father's body after he shot himself...it's indescribably horrible.
Beard had guessed that was a possibility, but it's still heartbreaking to have it confirmed, especially that Ted was there. Beard's quiet for a few moments contemplating it.
"You know, Ted hasn't changed that much in the time I've known him. He was always very kind," Beard shares quietly. "But when we met back in college, he was a pretty angry guy.. He was just keeping it bottled up inside most of the time."
"I've seen that anger," she says quietly. "It's still there. He's really good at hiding it, though. And I worry about what might happen if he keeps it bottled up. It's understandable that he would be angry with his father. He left Ted and his mom. Whatever problems there were...he didn't let Ted be part of the solution."
Her voice has gotten very soft, and she looks away, remembering what she had almost done, just a couple weeks ago. She had felt terrible about it before she knew about how Ted lost his father, and now...
Beard's known Ted for a while, and it's not always that Ted bottles it up. Usually he finds a way to channel it into something more productive. Back then though, he would just sort of ignore it until it exploded, but by the time they reconnected, he seemed to have found a way to handle it. But every now and then, something comes along that he can't fix and he can't ignore. Like now.
The last part though... Beard recognizes the guilt. He was the one who pulled her back, after all. He knows how Ted would've reacted had she gone through with it.
"Well, everyone makes emotional decisions sometimes. Ted's dad just wasn't lucky enough to have an outside friend who saw what was happening," he says kindly.
no subject
Sherlock heads out as they're saying their goodbyes, skipping the cuteness in order to flag down a cab.
no subject
Ted smiles as Joan's touches of affection. He appreciates her making sure he knows she's there for him.
"Alright, gang, peace out," he says, heading for the door. "Stay out of trouble."
no subject
"He's doing okay," she says, figuring Beard would want to know.
no subject
"What about you?" he asks. "If you want to complain Now they're not here to fuss over you."
He knows Ted's positivity can make if difficult to vent. And heck, she might even have frustrations about the two of them that she wants to get off her chest. Beard certainly won't tell.
no subject
no subject
no subject
"Mmm. He does that a lot, doesn't he?" she says quietly, watching Beard pour the coffee.
no subject
He sets her coffee cup close to Joan, and picks up his own, taking a careful sip.
no subject
no subject
no subject
"I don't think it's so much that he wants to keep it a secret as he doesn't want to deal with it at all," she says. "Ted didn't tell me. He doesn't know I know. And I'm keeping it that way, until he brings it up himself. I'll let you decide if you want to know. I researched it so that I know what's going on and can help if something happens to trigger the memories, but you don't have to know if you don't want to, or you feel uncomfortable knowing without him knowing you know."
no subject
He shrugs in response to whether he himself should know though. "I don't mind," he answers. He doesn't mind knowing, he just doesn't need to. He can keep secrets, that's not a problem for him.
"I know something bad happened." Which is an understatement, really. "Do you want to talk about it?" he asks. Because that's honestly more of a deciding factor here.
no subject
She thinks about confidentiality, how it's so important for a doctor, a sober companion, a detective. But this...this wasn't told to her in confidence. And it's public information.
Still, this isn't really about her, is it? This is about Ted. Her own wants...needs...don't really matter here.
"More than anything I worry about him," she says.
no subject
"I think everyone who knows him sufficiently well does that," he answers lightly. Now more than ever, obviously. Ted is strong, but there's more than one way he doesn't stand up for himself and his own needs. "Do you think it's relevant to what's going on now?" Because obviously, this was three decades ago. It's not necessarily urgent.
no subject
no subject
"So what do you think we should do?" he asks quietly. He doesn't necessarily think she has an answer to that, but neither does he. It's not easily fixed. They just have to be there for him.
no subject
Joan has been frequently grateful that Ted has Beard, and now even more so, especially since Ted is planning on going back to work.
no subject
That doesn't mean they shouldn't keep an eye on him of course, just that they can have faith in him. While trying to make sure he takes care of himself.
no subject
Ted is doing well like Joan said, but that doesn't mean he'll keep doing well.
no subject
no subject
That's the most horrible part of it to Joan. It's one thing to know on a conceptual level that your father was dead and had killed himself. To see it, god, smell it...Joan has been to countless scenes of death, so many murders, so many suicides, and even she never really gets used to it. To be sixteen years old and to find your father's body after he shot himself...it's indescribably horrible.
no subject
"You know, Ted hasn't changed that much in the time I've known him. He was always very kind," Beard shares quietly. "But when we met back in college, he was a pretty angry guy.. He was just keeping it bottled up inside most of the time."
no subject
Her voice has gotten very soft, and she looks away, remembering what she had almost done, just a couple weeks ago. She had felt terrible about it before she knew about how Ted lost his father, and now...
no subject
The last part though... Beard recognizes the guilt. He was the one who pulled her back, after all. He knows how Ted would've reacted had she gone through with it.
"Well, everyone makes emotional decisions sometimes. Ted's dad just wasn't lucky enough to have an outside friend who saw what was happening," he says kindly.
no subject
"He's really lucky to have you," she says softly. "So am I."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...